Crys Matthews blends Americana, folk, jazz, blues, bluegrass and funk into a bold, complex performance steeped in traditional melodies and punctuated by honest, original lyrics. Having been compared to everyone from Toshi Reagon to Tracy Chapman to Ruthie Foster, Matthews’ eclectic infusion of genres has won her honorable mentions at the 2013 and 2014 Mid-Atlantic Song Contest and extensive radio play from Woman of Substance radio to WTJU-Charlottesville and WMRA-Harrisonburg to KBOO-Portland.
Equally at home in an acoustic listening room as she is on stage at large music festivals, Matthews has quickly gathered a loyal following on the east coast playing such prestigious venues as The Birchmere, Jammin’ Java, The Hamilton, and Busboys and Poets. Matthews’ festival and showcase roster has included SXSW, the 40th Michigan Womyn’s Music Festival, Folk Alliance International, 30A Songwriters Festival, Island Hopper Music Festival, Northeast Regional Folk Alliance and many more.
When her song The Imagineers was referred to as “the unofficial anthem of the Tiny Desk Contest” in 2016, Crys Matthews said it was a distinction that made her almost as proud as she would have been had she won. “Who better to relate to a song about walking the thin line between your daydreams and your day jobs than indie artists,” Matthews asked. “The ones who still believe in magic, the ones who rise above our fears” — that’s not just a lyric from the title track of Crys Matthews’ new release, it’s the common thread woven through most of the songs on The Imagineers. From breakups and makeups to mental illness and addiction, Matthews offers up perspective on some of the most universal elements of the human experience. “We’ve all been there in one way or another,” said Matthews. “We get so bogged down in adulting and everything that it entails that sometimes we don’t do it very well, but then other times we totally nail it.” The Imagineers ushers in Matthews’ tenth year as a singer-songwriter, her first full-length release since 2014, and her first time working with producer Mark Williams (Sucker Punch Recording Co.). Matthew is simultaneously releasing an EP of social justice songs called Battle Hymn for an Army of Lovers, which was also produced by Williams.
Nelson Mandela said, “No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.” That sentiment is at the heart of Crys Matthews’ EP of social justice songs called Battle Hymn for an Army of Lovers. From the title track to We Must Be Free (an adaptation of Roberta Slavit’s Freedom is a Constant Struggle) Matthews offers an insightful soundtrack to the modern-day resistance. “The songs on this EP are intended to be a small offering of hope and encouragement during these unsettling times,” Matthews said. “I hope that they will remind us of our collective resilience and inspire all of us the way my mom, Nelson Mandela, Michelle Obama, Rita Mae Brown, Julia Ward Howe, and Eva Cassidy (via Curtis Mayfield) inspired the title track.”
A prolific lyricist and composer, thoughtful, realistic and emotional, Matthews’ songs speak to the voice of our generation and remind us why music indeed soothes the soul.
The Outskirts are a female fronted, multi-genre band hailing from the DC/Baltimore area. Writing original music in funk, blues, soul, psych-rock, folk, and ska, the band plays both acoustic and electric sets, covering a wide range of soundscapes.
MADELINE WATERS – lead vocals, cello, ukulele.
JULIETTE BELL – guitar.
LAINIE GRAY – bass, mandolin, vocals.
Brian is a multi-instrumentalist who studied at Howard University under jazz bassist Steve Novosel, Howard University Jazz band leader Fred Irby, and saxophonist Charlie Young. He has played in the DMV area with such groups/acts/artist as The Delafield String Band, yU of Diamond District, Prince George’s Philharmonic, Sitali, Nila Kay, Justin Trawick, Tara Trinity, Rana Mansour, Wanees Zarour, Huda Asfour and has had the opportunity to perform before President Barrack Obama. He has toured with Jonny Grave, Paperhaus, The Hackensaw Boys, Letitia Van Sant, and currently Grammy award winning artist Dom Flemons the American Songster.
Brian’s musical journey has taken him to the Kennedy Center’s Millennium Stage, The Hamilton in DC, the Rococo Theater in Lincoln, the Red Butte Garden Ampitheater in Salt Lake City, the Chatauqua Amphitheater in Boulder, the George Eastman Museum in Rochester, the Gillioz in Springfield, the Bijou Theater in Knoxville, City Winery in Nashville and Chicago, Joe’s Pub in Manhattan, Thalia Mara Hall in Jackson, the Paradiso in Amsterdam, before President Barack Obama, The Ryman Theater in Nashville, and on the Grand Ole Opry.
You can hear Brian as a member of the Clara Barton Sessions, a recording of DC folk tradition musicians that released an album commemorating the revitalization of the Clara Barton Museum, Elena y Los Fulanos forthcoming album, or on Dom Flemon’s forthcoming black cowboy album under Smithsonian’s Folkways label.
Farrow is currently working on program to provide therapeutic musical aid to refugees currently stuck in Greece’s refugees camps. You can learn more and support the cause here:
The Sol Roots band performs a mix of New Orleans funk, raw blues, energetic rock, deep grooves, and southern soul. Sol is a multi-instrumentalist and vocalist who has toured with many roots, funk, and blues legends around the world as a part of Music Maker Revue.
The Sol Roots band has performed at many premier festivals and venues across the east coast US, and have shared the stage with acts such as Jon Cleary, Soulive, Dumpstaphunk,The Wood Brothers, Robert Randolph, Eric Lindell, Booker T Jones, Walter “Wolfman” Washington, Shemekia Copeland, Jackie Greene and more.
Paying homage to the greats, and with a love of Universal Music as the guiding light, Sol steps out on a path with a powerful group unique and talented band of musicians.
Sol Roots is an official Home Grown Music Network artist and a “Next Generation” Music Maker Relief Foundation artist.
Emma G hails from New Zealand and is currently based in Washington DC. She can been seen busking around DC on busy street corners and farmer’s markets as well as playing many of DC’s clubs and venues.
Working full time as a singer, songwriter, musician, street performer, vocal teacher, and actor; she plays in various clubs, bars and community events throughout the city – and often far beyond. 2015 included The Whitehouse, The Kennedy Center, The National Cherry Blossom-, and Smithsonian Folklife festivals, and The Atlas Performing Arts Theater. 2016 has included two California tours, the release of her studio singles “SOLD (take a shot)” featuring DMV rapper Tony B, which now has airplay on the West Coast and is available on iTunes, Amazon and Google Music, Spotify and SoundCloud; and “King for a Day”: official video is HERE!!
Prior to heading to the States in late 2014, Emma G, 28, had established a profile back in New Zealand as vocalist for the hard rock band Static Era. She was also a New Zealander of the Year Local Hero award recipient, honoured in 2012 for inspiring others through her music.
She has fast become an established and much-loved personality on DC’s busking circuit, where she is known as the Kiwi girl who plays great songs and gives great hugs.
“It’s great, because the spirit of the city is incredible,” she said in a 2016 interview. “The DC community are super nice, and really supportive of what I do.”
But with her career blossoming and fame surely beckoning, who knows what is around the corner.
“Life is an adventure. The best adventures have unknown outcomes.”